书法全国展览视觉门槛下的古铜器铭文及相关问题研究

Lingjia Kong
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引用次数: 0

摘要

近年来,在全国书法展上,以古铜器题字为范本的书法作品入选率持续上升,反映了书法界以篆字为范本的现状和书法家的审美取向。本文在对书法全国展览篆书相关资料分析的基础上,揭示了以篆书为范本的作品现状及发展趋势,并进一步探讨了以篆书为范本的书法创作在全国展览中的得失及前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research on the Inscriptions on Ancient Bronze Objects and Related Issues under the Visual Threshold of Calligraphy National Exhibition
In recent years, the selected rate continues to rise in the calligraphy works taking as the model of inscriptions on ancient bronze objects in national calligraphy exhibitions, which reflects the current situation of taking as seal characters’ models in the calligraphy circle and the aesthetic orientation of calligraphers. Based on the analysis of the relevant data of seal characters in the calligraphy national Exhibition, this paper reveals the status and development trend of works taking as the model of inscriptions, and further discusses the gains, losses and prospects of calligraphy creation taking as the model of inscriptions in the national exhibition.
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