变幻的旋律:南非音乐主题邮票的民族叙事(1961-2015)

IF 0.4 1区 艺术学 0 MUSIC
MUSIC & LETTERS Pub Date : 2023-10-28 DOI:10.1093/ml/gcad061
MELISSA GERBER
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引用次数: 0

摘要

近年来,邮票被定位为国家的代币提供者,各国向本国公民和国际受众传播精心策划的国家身份观念。本文通过使用南非音乐主题的邮票来补充现有的研究,以阅读国家不断变化的叙述,或集邮中的“音乐民族主义”。本文分析了1961年至2015年在南非发行的音乐主题邮票。它证实了种族隔离时期音乐民族主义的表现与南非白人民族主义政治是一致的,在“白人”和“黑人”流派之间有明显的区分。后种族隔离时代的音乐主题邮票将人们的注意力集中在被种族隔离意识形态掩盖的被遗忘的音乐历史上,同时仍然与种族隔离时代的音乐线索联系在一起。最重要的是,这篇文章揭示了在许多人认为完全由国家主导和控制的进程背后的其他力量,揭示了南非民主的许多情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Changing Tunes: Narratives of Nation in South African Music-Themed Postage Stamps (1961–2015)
ABSTRACT Postage stamps have in recent years been positioned as token purveyors of nation, with countries disseminating carefully curated ideas of national identity to their own citizens and international audiences. This article complements existing research by using South African music-themed postage stamps to read the changing narratives of the nation, or ‘music nationalism’ in philately. The article analyses music-themed postage stamps issued in South Africa between 1961 and 2015. It confirms that the representation of music nationalism in apartheid philately aligned with Afrikaner nationalist politics, with clear divides between ‘White’ and ‘Black’ genres. Post-apartheid music-themed stamps draw attention to forgotten music histories previously overshadowed by apartheid ideology while still engaging with musical threads of the apartheid past. Most significantly, the article illuminates the other forces at play behind what many accept to be a process solely steered and controlled by the state, revealing much about South Africa’s democracy.
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来源期刊
CiteScore
0.70
自引率
33.30%
发文量
118
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