爱沙尼亚传统编织的创新

Q1 Arts and Humanities
Kristi Jõeste
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引用次数: 0

摘要

创新是有意地对现有的实践进行有意义的、积极的改变。在工艺方面,创新是具有挑战性的,因为从本质上讲,工艺是基于传统和集体知识的;它们涉及到以一贯的方式练习一些东西。如果有任何变化,就会被其他工匠迅速复制。在这篇文章中,我通过传统转型的概念来解释传统手套编织的创新,并使用Adhi Nugraha在2010年引入的技术-概念-效用-结构-材料(TCUSM)方法来分析案例。根据这种方法,一个人必须彻底了解传统,以便有意识和合理地改变它。一个人必须比较和解释自己的产品中什么是传统的,什么是新的。我将这种方法与一种艺术的自我民族志方法结合起来。在我的个人实践中,对原作最大的改变是结合和借鉴其他传统纺织品的美学元素,或者开发自己的图案和颜色组合。首先,我简要介绍了爱沙尼亚刺绣手套的历史,然后在解释和照片的帮助下,展示了我制作的当代手套。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Innovation in Estonian heritage-based knitting
Innovation is an intentionally introduced significant and positive change to an existent practice. In crafts, innovation is challenging because, by nature, crafts are based on traditions and collective knowledge; they involve practising something the way it has always been practiced. If anything changes, it is copied rapidly by other craftspeople. In this article, I explain innovation in traditional glove-knitting through the concept of transformation of the tradition, and I analyse the case using a method called technique-concept-utility-structure-material (TCUSM), which was introduced by Adhi Nugraha in 2010. According to this method, one must know the tradition thoroughly in order to make conscious and justifiable changes to it. One must compare and explain what is traditional and what is new in one’s products. I combine this method with an artistic autoethnographic approach. Within my personal practice, the most significant change to the original involves combining and borrowing aesthetic elements from other traditional textiles or developing my own combinations of patterns and colours. First, I give a short over­view of the history of embroidered gloves in Estonia, then demonstrate, with the help of explanations and photographs, contemporary gloves, made by me.
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来源期刊
FormAkademisk
FormAkademisk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
11
审稿时长
15 weeks
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