《抽象的神话:德国文学中抽象艺术的隐藏起源》,作者AndreaMeyertholen, Camden House, 2021。Pp. 14 + 310110美元(手册)

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS
Hannah Vandegrift Eldridge
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引用次数: 0

摘要

《抽象的神话:德国文学中抽象艺术的隐藏起源》,Andrea Meyertholen著,Camden House, 2021。Pp. 14 + 310$110(手册)汉娜·范德格里夫·埃尔德里奇,通讯作者汉娜·范德格里夫·埃尔德里奇[email protected]美国威斯康辛大学麦迪逊分校,威斯康辛州麦迪逊分校,美国威斯康辛州麦迪逊分校,通讯作者汉娜·范德格里夫·埃尔德里奇[email protected]搜索本作者的更多论文2023年10月16日https://doi.org/10.1111/gequ.12398Read全文taboutpdf ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare给予accessShare全文accessShare全文accessShare请查看我们的使用条款和条件,并勾选下面的复选框共享文章的全文版本。我已经阅读并接受了Wiley在线图书馆使用共享链接的条款和条件,请使用下面的链接与您的朋友和同事分享本文的全文版本。学习更多的知识。复制URL共享链接共享一个emailfacebooktwitterlinkedinreddit微信本文无摘要在包含问题之前的早期视图在线记录版本相关信息
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The Myth of Abstraction: The Hidden Origins of Abstract Art in German Literature By Andrea Meyertholen, Camden House. 2021. pp. xiv + 310. $110 (handbook)
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来源期刊
GERMAN QUARTERLY
GERMAN QUARTERLY Multiple-
CiteScore
0.30
自引率
33.30%
发文量
55
期刊介绍: The German Quarterly serves as a forum for all sorts of scholarly debates - topical, ideological, methodological, theoretical, of both the established and the experimental variety, as well as debates on recent developments in the profession. We particularly encourage essays employing new theoretical or methodological approaches, essays on recent developments in the field, and essays on subjects that have recently been underrepresented in The German Quarterly, such as studies on pre-modern subjects.
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