“我也是”运动中的那个女孩怎么样了?

Ann Werner
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引用次数: 0

摘要

通过#MeToo社交媒体女权主义数字草根运动,在推特、帖子和小组中,在请愿书中,在标签后的中间辩论中,一个女孩形成了。这个女孩被塑造成脆弱、雄心勃勃、naïve或被欺骗的形象,在2010年的政策和实践中,她是女权主义社会变革的核心人物。这个人物面临着关于白人、异性恋、顺式女性、阶级、能力和西方化的女权主义内部批评问题。几年后,这个女孩神奇地从公众辩论中消失了。这篇文章提出了这样一个问题;她是谁?她的失踪对未来女权主义者反对性别歧视、性骚扰、性暴力、强奸以及其他职场歧视和欺凌的斗争意味着什么?这个女孩是通过瑞典#MeToo请愿#NärMusikenTystnar(#当音乐停止时)来分析的,这是一个请愿书和标签,收集了社交媒体上关于性别歧视、性骚扰、性暴力和强奸的叙述,并在2017年的每日媒体上展示。这篇文章指出了这个女孩作为女权主义数字行动主义人物的优点和缺点。在结语中,讨论了2023年失踪女孩的案例,以及她的失踪可能对女权主义数字活动产生的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Whatever happened to the girl in #MeToo?
Through #MeToo social media feminist digital grassroot activism, in tweets, threads, and groups, in petitions and in the intermedial debates following the hashtag, a girl took shape. This girl was constructed as vulnerable, ambitious, naïve, or duped and was central for bringing on feminist social change in policy and practice in the 2010’s. The figure faced intra-feminist critical questions about whiteness, heteronormativity, cis femininity, class, ability, and Western-ness. A few years later, this girl has magically disappeared from public debate. This article poses the question; Who was she, and what does her disappearance mean for future feminist activist struggles against sexism, sexual harassment, sexual violence, and rape, other discrimination and bullying in the workplace? The girl is analysed by considering the Swedish #MeToo petition #NärMusikenTystnar (#WhenThe MusicStops), a petition and hashtag that gathered narratives of sexism, sexual harassment, sexual violence, and rape on social media and presented them in the daily press in 2017. The article draws out both strengths and weaknesses of the girl as a figure for feminist digital activism. In the conclusion the case of the missing girl in 2023, and the possible impacts her disappearance may have on feminist digital activism, is discussed.
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