指示代词“this/these”,“that/those”在电影角色的对话中

IF 0.6 Q3 COMMUNICATION
Tatiana Yurievna Borodina, Irina Viktorovna Lysenko
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引用次数: 0

摘要

本研究的目的是确定指示代词“this/these”和“that/those”作为英语电影对话的组成部分的功能语义特征。通过对现代英语故事片对白片段的分析,确立了指示代词在指示、回指、指代和识别等方面的功能。确定了多功能指示代词主格成分的内容及其文体标记。这项研究的新颖之处在于,它首次分析了言语行为和指示代词在故事片情节中传达语用和文体上重要信息的作用。研究结果表明,指示代词具有自己的主格意义,通过“近/远”、“过去的此地、现在/那时/将来”、“自己的/别人的”、“被主体亲自知道/一般知道”、“主观上重要/客观上重要”、“独特/相似”、“特殊/典型”等言语意义实现。指示代词能够参与“亲密”和“异化”文体手段的创造,并传达愤怒、蔑视、敌意、遗憾和不赞成等评价情感的阴影。由于指示代词中主格成分的存在及其情绪性,电影对话中参与者旨在表达他们对正在发生的事情的态度并影响收件人的交际语用设置的实现成为可能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Demonstrative pronouns ‘this/these’, ‘that/those’ in the dialogical speech of film characters
The aim of the study is to determine the functional-semantic features of demonstrative pronouns ‘this/these’ and ‘that/those’ as integral elements of an English-language film dialogue. The work analysed dialogue fragments from modern English-language feature films, in which the ability of demonstrative pronouns to perform the deictic, anaphoric, cataphoric and identifying functions was established. The content of the nominative component of multifunctional demonstrative pronouns and their stylistic marking were determined. The study is novel in that it is the first to analyse speech behaviour and the role of demonstrative pronouns in conveying pragmatically and stylistically important information in the context of a feature film plot. The results of the study showed that demonstrative pronouns have their own nominative meanings, which are realised through the speech senses of ‘close/distant’, ‘here, now / then in the past / in the future’, ‘one’s own / someone else’s’, ‘known personally by the subject / generally known’, ‘subjectively important / objectively important’, ‘unique/similar’, ‘special/typical’, etc. Demonstrative pronouns are capable of participating in the creation of the ‘intimacy’ and ‘alienation’ stylistic devices and conveying the evaluative-emotive shades of irritation, contempt, hostility, regret and disapproval. Due to the presence of the nominative component in demonstrative pronouns and their emotiveness, the realisation of the communicative-pragmatic setting of the participant in the film dialogue aimed at expressing their attitude towards what is happening and influencing the addressee becomes possible.
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