家外之家:Chimamanda Ngozi Adichie的《你脖子上的东西》中的可想象性和寻路性

Q4 Arts and Humanities
Svetlana Stefanova
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引用次数: 0

摘要

本文从凯文·林奇的寻路理论出发,探讨了奇曼达·恩戈齐·阿迪奇的《你脖子上的东西》合集的十二个故事中的三个——“模仿”、“上周的星期一”和“你脖子上的东西”——在迁徙空间中的定位过程,该理论在他的城市空间作品《城市的形象》中得到了发展。性别和阶级是如何影响女主人公对家的概念的分析是基于林奇的可想象性概念。可想象性和寻路性概念的隐喻延伸旨在把握移民的定向心理和情感体验。以面具、镜子和字母这三种高度可想象的物体为参照,对主人公在美国寻路过程的研究揭示了在创造家庭意象时现实与想象之间的紧张关系。Adichie认识到女性能动性的潜力,她将主人公在流放空间中的重新定位与他们在亲密关系中的重新定位进行了对比。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Home away from Home: Imageability and Way finding in Chimamanda Ngozi Adichie’s The Thing Around Your Neck
This essay explores the process of orientation in migratory space in three of the twelve stories that make up Chimamanda Ngozi Adichie’s collection The Thing around Your Neck— “Imitation,” “On Monday of Last Week,” and “The Thing around Your Neck”—from the perspective of Kevin Lynch’s theory of wayfinding, developed in his work on urban spaces The Image of the City. The analysis of how gender and class affect the female protagonists’ conceptualization of home is based on Lynch’s notion of imageability. The metaphorical extension of the concepts of imageability and wayfinding aims to grasp migrants’ psychological and emotional experiences of orientation. Taking as a point of reference three highly imageable objects—masks, mirrors, and letters—the study of the protagonists’ wayfinding in America reveals the tension between reality and imagination in the creation of mental images of home. In her recognition of the potential of female agency, Adichie draws a parallel between the protagonists’ reorientation in the exilic space and their reorientation in their intimate relationships.
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来源期刊
ES Review
ES Review Arts and Humanities-Literature and Literary Theory
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