举手:哈斯塔斯回顾了引入手势来编纂觉醒的论述

Sangram Mukhopadhyay
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引用次数: 0

摘要

Waacking/Whacking作为一种70年代洛杉矶迪斯科同性恋舞蹈形式,在世界不同的舞蹈生态系统中不断被发现和本土化。它的轨迹的印度章节独特地描绘了一种特定的展示,直接认识到它自己编纂的手部运动形式。本研究的重点是通过理解手势的动机来研究手势的渗透和节制。在分析与其使用相关的事件的基础上,通过详实的对话、文献回顾和对演出文本的阅读,可以得出几点推论,从而进一步加深对该体裁的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
HANDS UP: WHAT’S UP WITH HASTAS REVIEWING THE DISCOURSE OF INTRODUCING HAND GESTURES TO CODIFY WAACKING
Waacking/Whacking as a 70s Los Angeles disco gay dance form is consistently being discovered and localized in different dance ecosystems of the world. The Indian chapter of its trajectory is uniquely drawing a certain kind of display which is in direct cognizance of its own codified forms of hand movements. The present study focuses on the seepages and abstinence of hand gestures through understanding the impetus to do so. Based on the analysis of the occurrences associated with its usage, through detailed conversations, literature review and reading of performance texts, several inferences can be drawn, and a better understanding of the genre can be further achieved.
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