关于单词排名和z分数改进的方法学观察

IF 0.7 3区 文学 0 HUMANITIES, MULTIDISCIPLINARY
Hartmut Ilsemann
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引用次数: 0

摘要

摘要本文根据约翰·巴罗斯(John Burrows)在同一时期提出的Delta理论,对Ary L. Goldberger、Albert C. Yang和C. Peng提出的文本作者身份确定方法进行了评价。用高排名的功能词进行的测试以及用滚动三角洲、滚动分类和一般冒名顶替法等更现代的方法建立的结果清楚地表明,单词排名只会返回粗糙和不可靠的结果,无法跟上非传统的现代方法。尽管马洛和莎士比亚戏剧的风格差异可以被陈述出来,但在《马耳他的犹太人》、《爱德华二世》和《浮士德博士》中,单词排名未能识别出莎士比亚的风格。只有通过使用z分数,更广泛的词汇才能提供更大程度的分化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Methodological observations concerning word rankings and z-score refinements
Abstract This article evaluates word rankings suggested by Ary L. Goldberger, Albert C. Yang, and C. Peng as a means of establishing the authorship of texts in the light of Delta, developed by John Burrows at about the same time. The tests carried out with high ranking function words and results established with the more modern approaches of Rolling Delta, Rolling Classify, and the General Imposters method give clear evidence that word rankings only return crude and unreliable results that cannot keep up with non-traditional modern methods. Even though the stylistic difference between Marlowe and Shakespeare plays could be stated, word rankings failed to recognize Shakespearean stylistics in The Jew of Malta, Edward II, and Doctor Faustus. It was only through the use of z-scores that a wider vocabulary provided a larger degree of differentiation.
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来源期刊
CiteScore
1.80
自引率
25.00%
发文量
78
期刊介绍: DSH or Digital Scholarship in the Humanities is an international, peer reviewed journal which publishes original contributions on all aspects of digital scholarship in the Humanities including, but not limited to, the field of what is currently called the Digital Humanities. Long and short papers report on theoretical, methodological, experimental, and applied research and include results of research projects, descriptions and evaluations of tools, techniques, and methodologies, and reports on work in progress. DSH also publishes reviews of books and resources. Digital Scholarship in the Humanities was previously known as Literary and Linguistic Computing.
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