锈迹、霉菌与裂缝:空间与图像的后二元论研究

Q3 Arts and Humanities
Lucas Rossi Gervilla
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引用次数: 0

摘要

本文通过作者创作的影像艺术作品《锈、模、裂》,探讨与空间、废墟、不同时间性相关的问题。作者乔治·齐美尔和米尔顿·桑托斯提出了一种研究废墟的方法,这种方法比二元论的概念(如废弃/未废弃或现代/过时)更进一步。它还讨论了自然在这个场景中的作用。在这种情况下,正如大卫·哈维所指出的那样,空间和时间处于可变的重组之中。它们之间的不同安排会产生不同的现代性。本文将图像视为这种时空变化的产物,并对其积累进行评述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rust, Mold, and Cracks: Post-Dualist Approaches on Spaces and Images
Using the piece of video art “Rust, Mold, and Cracks”, created by the author, this paper addresses questions related to space, ruins, and different temporalities. Calling upon the authors Georg Simmel and Milton Santos, the text proposes an approach to ruins that goes further than dualist concepts such as abandoned/not abandoned, or modern/outdated. It also discusses the role of Nature in this scenario. In light of this situation, space and time are under mutable reorganisation, as pointed out by David Harvey. Different arrangements between them shall produce diverse modernities. Considering images as objects resulting from this spatiotemporal modification, this article comments on their accumulation.
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来源期刊
International Journal of Film and Media Arts
International Journal of Film and Media Arts Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
1
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