结合多光谱成像和XRF分析对马西莫·斯坦齐奥内产的波佐利山仙人掌的鉴定

IF 1.3 Q3 INSTRUMENTS & INSTRUMENTATION
Jessica Brocchieri, Elvira Scialla, Marianna Merolle, Palma Maria Recchia, Roberto della Rocca, Carlo Sabbarese
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引用次数: 0

摘要

对马西莫·斯坦齐奥内的《圣帕特罗巴》进行了诊断分析。这幅画完成于1635年至1637年,目的是装饰波佐利(意大利那不勒斯)圣普罗科洛大教堂的唱诗班。现场运用了x射线荧光(XRF)和多光谱成像技术,了解了这幅画的执行技术、调色板和修复工作,并了解了当时活跃在那不勒斯的其他画家的影响。本文介绍并讨论了研究结果,以描绘这位重要画家所使用的颜料和绘画技术的一般方面和特点,以及修复。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Combining Multispectral Imaging and XRF Analysis to Examine San Patroba predica ai fedeli di Pozzuoli by Massimo Stanzione
A diagnostic analysis of the painting depicting San Patroba che predica ai fedeli di Pozzuoli by Massimo Stanzione was carried out. The painting was completed in 1635–1637 to decorate the choir of the Cathedral of Saint Procolo in Pozzuoli (Naples, Italy). The technique of X-ray fluorescence (XRF) and multispectral imaging were applied on site to learn about the executive technique, the palette of the painting, and the restoration works, as well as understand the influence of the other painters active in Naples in that period. The results of the research are presented and discussed to draw general aspects and peculiarities of the pigments and the pictorial technique used by this important painter, as well as the restorations.
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来源期刊
CiteScore
2.80
自引率
28.60%
发文量
27
审稿时长
11 weeks
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