建筑设计中“成为工具”与“成为假肢”的摇摆

IF 0.3 0 ARCHITECTURE
Hande Asar
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引用次数: 0

摘要

本研究探讨了后数字时代通过数字媒体演变而来的建筑设计工具,并通过模拟和数字混合来评估。它提出了一个问题,即在建筑设计过程中,工具作为设计师主体和被设计对象之间的中介,如何在混合设计环境中重新审视。该研究提出,连接设计主体和被设计客体的东西不仅可以被理解为工具,而且可以被理解为假肢。在这种背景下,建筑设计中的“工具”被描述为“成为工具”和“成为假肢”这两个概念之间的振荡,以及它们通过身体、认知和意识的延伸对设计师主体的影响。运用解释学的方法,对概念之间的关系进行了讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The oscillation between “becoming-tool” and “becoming-prosthesis” in architectural designs
This study explores the architectural design tools that have evolved through digital media in the postdigital era, which is evaluated through analog and digital hybridize. It raises the question of how the tool, as a mediator between the designer-subject and the designed-object in the architectural design process, can be re-examined in a hybrid design environment. The study proposes that what connects the designer-subject and the designed-object can be understood not only as a tool but also as a prosthesis. In this context, the “tool” in architectural design is described by the oscillation between the concepts of “becoming-tool” and “becomingprosthesis” and their impact on the designer-subject through bodily, cognitive, and consciousness extensions. The relations among the concepts are discussed by folding them on each other using the hermeneutic methodology.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
23
审稿时长
25 weeks
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