小说《Konspirasi Alam Semesta Karya Fiersa Besari》中的隐喻语言风格

None Siska Erlina Simamora, None Paul Diman, None Yuliati Eka Asi, None Albertus Purwaka, None Nirena Ade Christy
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引用次数: 0

摘要

本研究旨在描述(1)菲尔萨·贝萨里小说《宇宙阴谋》中隐喻的形式;(2)菲尔萨·贝萨里小说《宇宙阴谋》中隐喻的功能。本研究的重点是寻找拟人的、动物的、抽象到具体的、通感的隐喻形式,寻找隐喻语言风格的功能,包括个人的、人际的、指示的、指称的和想象的功能。本研究采用描述性定性研究方法。在本研究中,研究者采用文体回顾的方法来分析隐喻的形式和隐喻的功能。研究数据以引用、单词、短语、分句和包含隐喻语言风格的句子的形式呈现。研究结果表明,小说中最主要的隐喻形式是联觉隐喻。这部小说的内容包含了许多联觉隐喻,加深了作者在故事中所传达的内容,使作者所包含的表达使故事变得有趣。& # x0D;隐喻的语言风格是通过在每一系列故事的解读中插入读者的敏感信息来呈现的。同时,小说中主导语言风格的功能是指导功能。& # x0D;该小说的指示功能表明,故事中的人物倾向于直接表达自己的欲望,通过命令或要求对话者做说话者想做的事情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gaya Bahasa Metafora Dalam Novel Konspirasi Alam Semesta Karya Fiersa Besari
This study aims to describe (1) the forms of metaphor in the novel Conspiracy of the Universe by Fiersa Besari, (2) the function of metaphor in the novel Conspiracy of the Universe by Fiersa Besari. This research focuses on looking for forms of anthropomorphic, animal, abstract to concrete, synaesthetic metaphors and looking for the function of metaphorical language style which consists of personal, interpersonal, directive, referential, and imaginative functions. This study uses a descriptive qualitative research method. The researcher uses a stylistic review to analyze the forms of metaphors and the functions of metaphors in this study. The research data are in the form of quotations, words, phrases, clauses, and sentences which contain metaphorical language styles. The results of this study show that the most dominant form of metaphor in this novel is synaesthetic metaphor. The contents of this novel contain many synaesthetic metaphors to deepen what the author conveys in the story so that the story is interesting with the expressions included by the author. The metaphorical language style is presented by inserting a message of the reader's sensitivity in interpreting each series of stories. Meanwhile, the function of the dominant style of language in this novel is the directive function. The directive function in this novel shows that the characters in the story tend to express their desires directly by giving orders or requests to the interlocutor, to do something the speaker wants.
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