{"title":"从印刷到摄影,从舞台到页面,从东方到西方:小川和正的《千星村的场景》和《四十七人的故事》中的跨媒体叙事和跨文化理解Rōnin","authors":"Karen M. Fraser","doi":"10.29411/ncaw.2023.22.2.2","DOIUrl":null,"url":null,"abstract":"Founded in 2002, Nineteenth-Century Art Worldwide is a scholarly, refereed e-journal devoted to the study of nineteenth-century painting, sculpture, graphic arts, photography, architecture, and decorative arts across the globe.","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Print to Photograph, Stage to Page, and East to West: Transmedial Narratives and Cross-Cultural Understanding in Ogawa Kazumasa’s Scenes from the Chiushingura and the Story of the Forty-Seven Rōnin\",\"authors\":\"Karen M. Fraser\",\"doi\":\"10.29411/ncaw.2023.22.2.2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Founded in 2002, Nineteenth-Century Art Worldwide is a scholarly, refereed e-journal devoted to the study of nineteenth-century painting, sculpture, graphic arts, photography, architecture, and decorative arts across the globe.\",\"PeriodicalId\":32895,\"journal\":{\"name\":\"NineteenthCentury Art Worldwide\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-10-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NineteenthCentury Art Worldwide\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29411/ncaw.2023.22.2.2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NineteenthCentury Art Worldwide","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29411/ncaw.2023.22.2.2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
From Print to Photograph, Stage to Page, and East to West: Transmedial Narratives and Cross-Cultural Understanding in Ogawa Kazumasa’s Scenes from the Chiushingura and the Story of the Forty-Seven Rōnin
Founded in 2002, Nineteenth-Century Art Worldwide is a scholarly, refereed e-journal devoted to the study of nineteenth-century painting, sculpture, graphic arts, photography, architecture, and decorative arts across the globe.