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引用次数: 0
摘要
本文分析了15世纪最后十年的两份手稿之间的联系:华沙，Biblioteka Uniwersytecka, Gabinet Zbiorów Muzycznych, RM 5892(即Wrocław/Breslau抄本)和塞戈维亚，Archivo Capitular de la Catedral, Ms. s.s。尽管这些手稿起源于西里西亚和卡斯蒂利亚之间的地理距离很远，但它们仍然共享相对大量的成分。提出了三个原因:(1)国际复调曲目的存在;(2)时间邻近性;(3)创建这些系列的目的和动机相似。这篇文章提供了一个新的日期的主要语料库Wrocław法典，以c. 1493-94。它还显示了这两份手稿在材料和曲目上是如何与“小对开本手稿”现象联系在一起的，到目前为止，这种音乐手稿一直被认为仅限于中欧。
Distant or Close? Two Music Manuscripts from c. 1500 in Comparison
This article analyzes the links between two manuscripts from the final decade of the fifteenth century: Warsaw, Biblioteka Uniwersytecka, Gabinet Zbiorów Muzycznych, RM 5892 (known as the Wrocław/Breslau Codex) and Segovia, Archivo Capitular de la Catedral, Ms. s.s. In spite of the great geographical distance between Silesia and Castile, where these manuscripts originated, they nonetheless share a relatively large number of compositions. Three reasons for this are suggested: (1) the presence of an international polyphonic repertory; (2) chronological proximity; and (3) a similar purpose and motivation behind the creation of these collections. This article offers a new dating for the main corpus of the Wrocław Codex, to c. 1493-94. It also shows how the two manuscripts are related in both material and repertory to the phenomenon of ‘small folio manuscripts’, a type of musical manuscript that up to now has been thought to be limited to central Europe.
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