《Fae Myenne Ng’s Bone》中的空间与叙事逃脱

Huichan Zhang
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引用次数: 0

摘要

《骨》是美国第一代华裔女作家吴绮雯的处女作,令人印象深刻。本文在巴舍拉和巴赫金的空间理论以及格姆·杰内特的叙事话语理论的指导下,对《吴恩达的骨头》中的叙事空间和时间进行了探讨,试图发现主人公以空间和叙事逃避的形式表现出来的逃避意识。莱拉的个人逃亡,源于美国少数族裔剥削和驱逐下的家庭悲剧,实际上是每一个焦虑的华裔美国人逃跑冲动的缩影。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spatial and Narrative Escape in Fae Myenne Ng’s Bone
Bone is the impressive first novel written by Fae Myenne Ng, a first-generation Chinese American woman writer. Under the guidance of Gaston Bachelard’s and M. M. Bakhtin’s theories of space and Gérard Genette’s theories of narrative discourse, this paper probes into the narrative space and time in Ng’s Bone, trying to detect the protagonist’s escape consciousness revealed in the form of spatial and narrative escape. Leila’s individual escape, which derives from the family tragedy under the exploitation and expulsion of racial minorities in America, is, in fact, the epitome of every anxious Chinese American’s impulse to run away.
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