奥列克山德-阿夫沙洛夫和斯维特拉娜-鲁迪乌克的纪录片《瓦西里》以三组水生图像为基础,构成了完整的构图。

Pub Date : 2023-10-20 DOI:10.14746/i.2023.34.43.3
Tetiana Mychajłowa
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 The article is dedicated to analysing the compositional integrity of Oleksandr Avsharov and Svitlana Rudyuk’s documentary Yours, Vasyl (2019) through the prism of key aquatic images, including the city flood from the archival materials of Kyiv from 1970, dirty water from the poet’s sister’s dreams and the flood, stream and sea from Stus’s poetry (Ще до жнив не дожив..., Із циклу «Забуттям», Костомаров у Саратові). On the basis of these aquatic images, represented by key textual messages, the plot of the film is schematically arranged in a triad, which in turn plays the role of a graphic image of a mountain – a symbol of the poet’s steadfastness and victory. Attention is also drawn to the rich symbolism of the images, the skillful intertwining of the visual and auditory, the past and the present, thanks to which the image of the Stus seems alive and modern, which is what the filmmakers wanted to achieve.
 
 
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引用次数: 0

摘要

& # x0D;& # x0D;& # x0D;本文致力于通过关键的水生图像棱镜,分析Oleksandr Avsharov和Svitlana Rudyuk的纪录片《你的,Vasyl》(2019)的构图完整性,包括1970年基辅档案材料中的城市洪水,诗人妹妹梦想中的脏水以及Stus诗歌中的洪水,溪流和海洋(Ще до жнив не дожив…, Із циклу«Забуттям»,Костомаров * Саратові)。在这些水的形象的基础上,以关键的文本信息为代表,电影的情节被图式地安排在一个三和弦中,这反过来又起到了一个象征诗人坚定和胜利的山的图形形象的作用。人们还注意到这些图像的丰富象征意义,将视觉与听觉、过去与现在巧妙地交织在一起,这使得斯图斯的形象显得鲜活而现代,这正是电影制作人想要达到的目标。& # x0D;& # x0D;
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Triada obrazów akwatycznych jako podstawa integralności kompozycji filmu dokumentalnego Ołeksandra Awszarowa i Switłany Rudiuk Wasz Wasyl
The article is dedicated to analysing the compositional integrity of Oleksandr Avsharov and Svitlana Rudyuk’s documentary Yours, Vasyl (2019) through the prism of key aquatic images, including the city flood from the archival materials of Kyiv from 1970, dirty water from the poet’s sister’s dreams and the flood, stream and sea from Stus’s poetry (Ще до жнив не дожив..., Із циклу «Забуттям», Костомаров у Саратові). On the basis of these aquatic images, represented by key textual messages, the plot of the film is schematically arranged in a triad, which in turn plays the role of a graphic image of a mountain – a symbol of the poet’s steadfastness and victory. Attention is also drawn to the rich symbolism of the images, the skillful intertwining of the visual and auditory, the past and the present, thanks to which the image of the Stus seems alive and modern, which is what the filmmakers wanted to achieve.
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