对开放性的空间理解:理查德·森内特的“五种开放形式”和/在音乐中

IF 0.4 4区艺术学 0 ART

LEONARDO Pub Date : 2023-10-04 DOI:10.1162/leon_a_02470

Jonathan Packham

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引用次数: 0

摘要

本文基于Richard Sennett的“城市的五种开放形式”，提出了一种认知音乐不确定性的新策略，这是一种内在的空间思维方式，思考什么是“开放”，以及如何开放。Sennett的五种形式(“同步性”，“间断性”，“孔隙性”，“不完整性”和“多样性”)被单独探索，因为它们可能影响我们对音乐的开放性和/在音乐中的理解，并通过当代实验音乐的例子来说明。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Towards a Spatial Understanding of Openness: Richard Sennett’s ‘Five Open Forms’ and/in Music

Abstract This article offers a new strategy for cognising musical indeterminacy based on Richard Sennett’s ‘five open forms for the city’, an intrinsically spatial way of thinking about what is ‘open’, and how it is open. Sennett’s five forms (‘synchronicity’, ‘punctuatedness’, ‘porosity’, ‘incompleteness’ and ‘multiplicity’) are explored individually as they might impact our understanding of openness and/in music, illuminated by examples from contemporary experimental music.

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来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.