由瓦登海共同创造

IF 0.1 2区 艺术学 0 ART
Anna-Rosja Haveman
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引用次数: 0

摘要

在安娜-罗莎·哈夫曼的文章中,格罗宁根艺术家汉·詹森(Han Jansen)几乎被遗忘的作品被审视了。她的分析揭示了艺术作品,在艺术和社会的自然文化辩论的更广阔的视角。围绕瓦登项目出现的公众讨论带来了社会对自然的不同看法。通过将项目嵌入新兴的环境行动主义的历史背景中,旨在“提高对自然的认识”的艺术固有的紧张关系变得清晰。正如图中所示,Han Jansen的立场仍然是矛盾的:虽然他确实打算在制作过程中为自然意识做出贡献,并重新配置人与自然之间的等级关系,但该项目创造了一个人类,艺术家作为污染者的形象,而没有进一步反思自己行为的伦理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Co-created by the Wadden Sea
In Anna-Rosja Haveman’s essay, the largely forgotten work of the Groningen artist Han Jansen is examined. Her analysis unpacks the artistic oeuvre, within a broader perspective of the nature-culture debates in art and society. The public discussion that emerged around the Waddenprojects brings to bear contrasting ideas about nature in society. By embedding the project in the historical context of emerging environmental activism, the tensions inherent in art that aims to ‘raise awareness of nature’ become clear. As illustrated, the position of Han Jansen remains paradoxical: while he certainly intended to contribute to the awareness of nature and reconfigured hierarchies between humans and nature during the making process, the project created an image of a human, the artist, as polluter without further reflection on the ethics of his own actions.
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CiteScore
0.10
自引率
50.00%
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