{"title":"受难的土耳其人:特兰西瓦尼亚木制教堂受难场景中的基督对手","authors":"Andreea Andrei","doi":"10.1086/726094","DOIUrl":null,"url":null,"abstract":"The historical coordinates of Transylvania are those of a territory disputed between foreign powers. As a former component of the medieval kingdom of Hungary, Transylvania became, after the kingdom fell apart under Ottoman attacks, a semi-independent principality under Ottoman suzerainty. Native princes elected by the local elite and confirmed by the sultan ruled over the principality from 1540 to 1690. The Ottomans used military force to intervene in its affairs in order to curb","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":"6 1","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Turks of the Passion: The Antagonists of Christ in Passion Scenes of Transylvanian Wooden Churches\",\"authors\":\"Andreea Andrei\",\"doi\":\"10.1086/726094\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The historical coordinates of Transylvania are those of a territory disputed between foreign powers. As a former component of the medieval kingdom of Hungary, Transylvania became, after the kingdom fell apart under Ottoman attacks, a semi-independent principality under Ottoman suzerainty. Native princes elected by the local elite and confirmed by the sultan ruled over the principality from 1540 to 1690. The Ottomans used military force to intervene in its affairs in order to curb\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/726094\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/726094","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Turks of the Passion: The Antagonists of Christ in Passion Scenes of Transylvanian Wooden Churches
The historical coordinates of Transylvania are those of a territory disputed between foreign powers. As a former component of the medieval kingdom of Hungary, Transylvania became, after the kingdom fell apart under Ottoman attacks, a semi-independent principality under Ottoman suzerainty. Native princes elected by the local elite and confirmed by the sultan ruled over the principality from 1540 to 1690. The Ottomans used military force to intervene in its affairs in order to curb
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