德国媒体研究:重要的更新

IF 0.4 3区 文学 0 LITERARY THEORY & CRITICISM
Erik Born
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引用次数: 0

摘要

本文概述了通过重新格式化、重新划分和可能重新启动德国媒体理论来更新德国媒体研究的计划。作为一个临时的占位符,德国媒体研究2.0描述了当前的跨大西洋研究,致力于修复媒体与批判、意识形态与认识论、法兰克福学派和基特勒网络之间的历史相遇中出现的漏洞和修补漏洞。为了以批判的模式更新德国媒体研究,我们需要不断定义我们的概念和划分我们的学科,考虑媒体变化对我们研究方法的影响,并协商我们的领域与文化、历史和政治的复杂关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
German Media Studies: A Critical Update
This essay outlines a program for updating German media studies by reformatting, repartitioning, and potentially rebooting German media theory. As a temporary placeholder, German media studies 2.0 describes current transatlantic research committed to fixing bugs and patching vulnerabilities that emerged from historical encounters between media and critique, ideology and epistemology, and the Frankfurt School and the Kittler Network. To update German media studies in a critical mode, we need to keep defining our concepts and delimiting our disciplines, accounting for the effects of media change on our research methods, and negotiating our field’s complex relations to culture, history, and politics.
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来源期刊
NEW GERMAN CRITIQUE
NEW GERMAN CRITIQUE LITERARY THEORY & CRITICISM-
CiteScore
0.40
自引率
0.00%
发文量
17
期刊介绍: Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.
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