Տիրամոր անձեռակերտ պատկերի (ց վանքի) պատումը Խորնացուց միչև Րաֆֆի Րաֆֆիքի

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引用次数: 0

摘要

研究主题的相关性与其跨学科性紧密相连:所呈现的神学文本是从几个角度考虑的:历史,社会心理学,更广泛地说,从民族文化。当呈现给定的情节时,我们的任务是用一个神奇形象的历史例子来展示精神体现的理论,文学和文化中的民族时代。同时,我们也清楚地认识到,每个历史时期都有自己的世界形象和对世界的看法。为了研究的目的,我们从主教Garegin Srvandztyants的著作中概述了与Hogeats vank修道院相关的大量科学和艺术文献中的一两集,我们也翻到了Khrimyan Hayrik的两篇“问候”的相应页,研究了与圣母的誓言和朝圣有关的问题拉菲小说“火花”的Van-Vaspurakan部分。本研究采用比较史学和神话学的方法进行。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Տիրամոր անձեռակերտ պատկերի (Հոգյաց վանքի) պատումը Խորենացուց մինչև Րաֆֆի
The relevance of the research topic is connected precisely with its interdisciplinarity: the presented theological text is considered from several viewpoints: historical, socio-psychological and, more broadly, from ethnocultural. When presenting the given plot, our task was to show, using the example of the history of one miraculous image, the theory of the embodiment of the spirit, the national time in literature and culture. At the same time, we have clearly defined that each historical time has its own image of the world and ideas about it. With the purpose of the research, we have outlined one or two episodes from the extensive scientific and artistic literature related to the Hogeats vank Monastery from the writings of Bishop Garegin Srvandztyants, we have also turned to the corresponding pages of two “Greetings” by Khrimyan Hayrik, examined issues related to the vow of the Virgin and the pilgrimage to Van-Vaspurakan parts of "Sparks” novel of Raffi. The study has been conducted using the comparative-historical and mythological methods.
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