海妖的种子

Pub Date : 2023-10-23 DOI:10.1163/18718000-12340169

Eva Frojmovic

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引用次数: 0

摘要

在1300年左右北欧的两本礼仪五经中，塞壬的形象出乎意料地出现，而且与普通的塞壬肖像不同。也许这些人类与动物的混合体，或混合物，以其难以捉摸的性取向和越界的跨越，表达了犹太文化对性别政治的关注。女性主义动物文学研究和女性主义声乐研究(塞壬之歌)为中世纪性别政治及其颠覆提供了新的见解。

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The Siren’s Seed

Abstract In two liturgical Pentateuchs from Northern Europe from around 1300, images of sirens appear unexpectedly and in ways that vary from common siren iconography. Perhaps these human–animal hybrids, or mixta, in their elusive sexuality and transgressive boundary-crossing articulate Jewish cultural concerns with gender politics. Feminist bestiary studies and feminist studies of vocality (the siren’s song) provide new insights into medieval gender politics and its subversions.

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