双子座握把及其对小提琴左手技术发展的影响

Alptekin Ömür GÖREN
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引用次数: 0

摘要

演奏小提琴,一种弦乐器,需要运用许多困难的技术,非常好的弓控制和优秀的右手技术的能力。因此,大多数小提琴教师和权威人士都更重视右手和左手的技巧。然而,左手技术和右手技术一样重要,并且由许多副标题组成。这些包括在所有弦上的位置的使用,双止点,三和弦和四和弦,自然和人工谐波,双止点谐波,颤音,双止点颤音,颤音,颤音,滑音,左手颤音和左手拨奏。为了正确地完成所有这些左手技巧,左手必须放在琴颈上的正确位置。Francesco Geminiani开发了一种技术应用,称为Geminiani Grip,用于左手的正确定位。在这项研究中,Geminiani Grip将被详细研究,其他受Geminiani影响的小提琴权威的例子将被给出,并根据这种实践来分析练习。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
GEMINIANI GRIP AND IT’S EFFECTS TO THE DEVELOPMEMENT OF THE VIOLIN LEFT HAND TECHNIQUE
Playing the violin, a stringed instrument, requires the ability to apply many difficult techniques, very good bow control, and excellent right hand technique. For this reason, most violin pedagogues and authorities have given more importance to right and left hand techniques. However, left hand technique is as important as right hand technique and consists of masny sub-headings. These include the use of positions on all strings, double stops, triple and quadruple chords, natural and artifical harmonics, double stop harmonics, trill, double stop trill, vibrato, glissando, left hand tremolo and left hand pizzicato. In order to perform all these left hand techniques correctly, the left hand must be positioned in the correct position on the violin neck. Francesco Geminiani developed a technical application known as Geminiani Grip for the correct positioning of the left hand. In this study, Geminiani Grip will be examined in detail, examples from other violin authorities influenced by Geminiani will be given and exercises written in the light of this practice will be analyzed.
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