对数字平台上最新版本的音乐和歌曲创作者的经济权利的法律分析

Adi Juardi, None Martin Roestamy, None Nurwati
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引用次数: 0

摘要

最基本的问题是,数字平台上的表演权的版税费率没有规定,而目前使用的版税费率取决于每个平台对CMO的要求。许多翻唱歌手未经原作者许可将其作品商业化,造成版权侵权。使用的研究是实证法律使用立法和访谈的方法。结论是,由于封面版本的版权侵权可能性很大,因此必须首先获得创作者的许可,即第9(2)条。从发展理论出发,《著作权法》和2021年第56号政府法规必须能够遵循现有的发展。关于数字平台的版税费率需要有明确的规则,截至撰写本文时,还没有法定法规或其衍生品对其进行监管。关于为数字平台上的音乐和歌曲的版权创作者分享版税。如果你看看WAMI的首席营销官对数字平台上的音乐版税和词曲作者的功利主义理论,那么版税的分配是该理论的法律目标的一部分,即为尽可能多的人提供利益和幸福。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ANALISIS HUKUM TERHADAP HAK EKONOMI PENCIPTA KARYA MUSIK DAN LAGU YANG DI COVER VERSION PADA PLATFORM DIGITAL
The most basic problem is that there is no regulation regarding royalty rates for performance rights on digital platforms, while the royalty rates used so far depend on each platform to the CMO. Many cover version musicians commercialize their work without the permission of the original creator, resulting in copyright infringement. The research used is empirical juridical using legislation and interview approaches. The conclusion is that due to the large potential for copyright infringement on the cover version, it must first obtain permission from the creator, Article 9 (2). Departing from the theory of development, the Copyright Law and Government Regulation Number 56 of 2021 must be able to follow existing developments. There needs to be clear rules regarding royalty rates on digital platforms, as of this writing, there are no statutory regulations or their derivatives that regulate it. About sharing royalties for copyright creators for music and songs included in digital platforms. If you look at the Utilitarianism theory carried out by WAMI's CMO for music royalties and songwriters on digital platforms, then the distribution of royalties is part of the legal goal of this theory, which is to provide benefits and happiness to as many people as possible.
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