除了内存

IF 0.6 3区 艺术学 0 FILM, RADIO, TELEVISION
José Miguel Palacios
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引用次数: 0

摘要

导言将“智利电影和媒体:五十年后(1973/2023)”特别关注部分置于其历史和文化背景中。2023年是1973年9月11日推翻萨尔瓦多·阿连德社会主义政府的政变50周年。为了反思电影和媒体在政变中的作用,需要从单纯的纪念活动中走出来,更广泛地说,从记忆研究中走出来,作为主导智利电影研究的首要批判框架。这个特别关注部分试图超越记忆而不忽视记忆的责任。这是一个将政变的电影记忆重新激活、重新挪用和重新政治化的项目。这种方法有利于在过去五十年中不同历史时刻拍摄的电影之间的连续性-阿连德的社会主义时代,独裁统治,后独裁统治以及2019年10月的estallido social(社会起义)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beyond Memory
The introduction situates the Special Focus section “Chilean Film and Media: Fifty Years Later (1973/2023)” in its historical and cultural context. The year 2023 marks the fiftieth anniversary of the coup that toppled the socialist government of Salvador Allende on September 11, 1973. To reflect on the role of film and media in relation to the coup demands a move away from mere commemoration and, more broadly, from memory studies as the overarching critical framework that has dominated studies of Chilean cinema. This Special Focus section seeks to move beyond memory without neglecting the duty to remember. It is a project of reactivation, reappropriation, and repoliticization of the cinematic memory of the coup. This approach favors continuities between films made throughout the last five decades under different historical moments—the socialist years of Allende, the dictatorship, the postdictatorship, and the estallido social (social uprising) of October 2019.
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来源期刊
FILM QUARTERLY
FILM QUARTERLY FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
40.00%
发文量
36
期刊介绍: Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.
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