在漫画和图画小说中以视觉和视觉语言叙述和聚焦

IF 0.5 3区 文学 0 LANGUAGE & LINGUISTICS
Charles Forceville
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引用次数: 0

摘要

文学叙事学对分析故事世界的语言信息的来源(通常在“叙述”的标签下进行讨论)和对任何呈现非语言化视角的主体(通常在“聚焦”的标签下进行讨论)的关注是正确的。评估叙述者和聚焦者的身份对于理解故事世界中正在发生的事情至关重要。哪个叙事主体负责?叙述和/或聚焦是否分层?如果是后者,那么高级叙事主体是否会对低级叙事主体所说、所想或体验的内容进行“着色”?所提供的信息是否可信?微妙的吗?偏见吗?叙述和聚焦具有中上特定维度和中特定维度。在过去的几年里,这些概念如何在结合视觉和语言的漫画媒介中发挥作用的问题已经开始被系统地解决。本文旨在展示视觉模式如何单独或与书面语言模式结合,表明叙事、聚焦和联合叙事-聚焦的来源,并区分这些发生的不同层次。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Narrating and focalizing visually and visual-verbally in comics and graphic novels
Abstract Literary narratology has rightly devoted much attention to analysing the source(s) of verbal information about the story world, usually discussed under the label “narration”, and to any agent(s) that present(s) non-verbalized perspectives on it, usually discussed under the label “focalization”. Assessing the identity of narrators and focalizers is crucial for understanding what is going on in the story world. Which narrative agent is in charge? Is the narration and/or focalization layered? If the latter, is there any “colouring” by the higher-level narrative agent of anything said, thought, or experienced by the lower-level agent? Is the information provided trustworthy? Nuanced? Prejudiced? Narration and focalization have supra-medial as well as medium-specific dimensions. Over the past years, the issue of how these concepts function in the medium of comics, which combines visuals and language, has begun to be systematically addressed. This paper aims to show how the visual mode can, on its own or combined with the written-language mode, signal the sources of narration, focalization, and joint narration-and-focalization, as well as distinguish between different levels at which these take place.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
1
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