在“性”之外:新一代马拉雅拉姆电影中对女性身体的描绘

Q2 Arts and Humanities
Roshan B. Karimpaniyil, Shashikantha Koudur
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引用次数: 0

摘要

点击增大图片尺寸点击减小图片尺寸致谢作者感谢匿名审稿人对本文提出的有见地的意见和有价值的改进。披露声明作者未报告潜在的利益冲突。注1《自由之战》是一部选集电影,其中的两个片段《无组织区》和《老年之家》被认为是本文的分析对象科日科德是喀拉拉邦马拉巴尔地区的一个重要城市,在英语中被称为卡利卡特(Calicut)。4《自由之战》选集中的第一部分。5在喀拉拉邦的婚姻背景下,新娘穿上最精美的衣服是一种习俗,因为婚礼仪式通常是一种社交展示的场合正在考虑的第二部分来自文集《自由之战》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Outside the ‘Sexual’: Depiction of the Female Body in the New-Generation Malayalam Cinema
Click to increase image sizeClick to decrease image size AcknowledgementThe Authors would like to thank the anonymous reviewers for their insightful comments and valuable improvements to the paper.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 Freedom Fight is an anthology movie, and two of its segments The Unorganised Sector and Old Age Home, are considered for analysis in this paper.2 A string hopper dish popular in the South Indian state of Kerala.3 Known in English as Calicut, Kozhikode is an important city in the Malabar region of Kerala.4 The first segment under consideration from the anthology Freedom Fight.5 In the context of the marriages in Kerala, it is customary for the brides to clothe themselves in the finest embellishment as wedding ceremonies are usually an occasion of social display.6 The second segment under consideration from the anthology Freedom Fight.
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来源期刊
Quarterly Review of Film and Video
Quarterly Review of Film and Video Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
70
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