观众对电视剧长期投入的情感轨迹

IF 1.2 0 FILM, RADIO, TELEVISION
Iris Vidmar Jovanović
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引用次数: 0

摘要

乔治·r·r·马丁最近在谈到《权力的游戏》大结局引发的普遍失望时哭道:“我不明白人们为什么会如此讨厌他们曾经喜欢的东西。”我在这里的目的是提供一种解释观众情绪变化的方法,我将其称为情感轨迹。我的建议是,当观众关心某件作品时,他们会在相当长的一段时间内对它产生依恋,并从这种关心中获得回报。当这种奖励感从他们的体验中消失时,他们就会开始感到失望。为了解释这种缺失和这种转变,我首先分析了一个节目激发和奖励观众关心感的一些方式,然后我继续研究这种感觉是如何被背叛的。我的分析是基于对美学的认知方法、品味和情感哲学以及电视研究的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Affective Trajectory of Viewers’ Long-term Engagement with TV Series
Abstract Referring to the widespread disappointment over the ending of the Game of Thrones , George R.R. Martin recently cried: “I don't understand how people can come to hate so much something that they once loved.” My aim here is to offer an account that explains this shift in viewers’ emotions, which I refer to as affective trajectory. On my proposal, viewers are attached to a certain work for a considerable amount of time when they care for it and feel rewarded by such caring. When this sense of reward is absent from their experience, they start to feel disappointed. To account for such an absence, and such a shift, I first analyze some of the ways in which a show inspires and rewards a sense of care in the viewers, and I then move on to examine how this sense is betrayed. Underlying my analysis are insights from cognitive approaches to aesthetics, philosophy of taste and emotions, and television studies.
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来源期刊
CiteScore
0.90
自引率
28.60%
发文量
18
期刊介绍: Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by philosophy of mind, phenomenology, psychology, and the cognitive-and neurosciences. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.
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