博洛尼亚、帕多瓦、威尼斯和拜占庭-巴尔干东部之间的艺术交流:维德拉纳教堂里的激情循环碎片(博洛尼亚)

Rosa D'amico, Sanja Pajić
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引用次数: 0

摘要

Santa Maria Annunziata教堂位于博洛尼亚附近的Vedrana村,坐落在连接博洛尼亚与费拉拉、帕多瓦和威尼斯的中世纪道路上。2008年至2010年间,在教堂里发现了13世纪下半叶的壁画碎片。在这些壁画中,最初装饰着中央中殿墙壁的上部,直到18世纪的重建,装饰元素,最后的晚餐场景中的使徒半身像,基督和犹大的残余物,以及背叛犹大场景中的几名士兵被识别出来。早期的研究人员指出,这些壁画受到威尼托地区的影响更大,尤其是帕多瓦文化,而不是附近威尼斯艺术的影响。然而,这些壁画也显示了来自巴尔干半岛地区的拜占庭艺术的显著影响,直接或通过威尼斯接收。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Artistic exchange between Bologna, Padua, Venice, and the Byzantine-Balkan East: Fragments of the passion cycle in the church in Vedrana (Bologna)
The church of the Santa Maria Annunziata in the village of Vedrana, near Bologna, is situated along the medieval road that connects Bologna with Ferrara, Padua, and Venice. Between 2008 and 2010, fragments of frescoes, dating from the second half of the 13th century, were uncovered in the church. In these frescoes, which originally adorned the upper parts of the central nave walls until the 18th-century reconstructions, decorative elements, busts of the apostles in the scene of the Last Supper, remnants of the figures of Christ and Judas, along with several soldiers in the Betrayal of Judas scene were identified. Early researchers noted that the frescoes exhibit a stronger influence from the Veneto region, particularly the Paduan culture, rather than the influences of the art of nearby Venice. However, these frescoes also display notable influences of Byzantine art from the region of the Balkan Peninsula, received directly or through Venice.
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