《celimene的花环》:《厌世者》中的人物在晚期媒体的镜子中

IF 0.1 3区 文学 0 LITERATURE, ROMANCE
Nolwenn Pamart
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引用次数: 0

摘要

从1898年6月19日到8月15日在《La Presse》杂志上发表的一个专栏。让·德·提南、Émile姆·萨梅特和亨利·弗诺分别扮演《厌世者》中的主要角色——卡姆·萨梅特、菲利特和阿尔塞斯特。《La Guirlande de csamlim》属于“书信幻想”,这是《La Presse》在19世纪90年代初日报复兴期间提出的实验性专栏的一部分。带着幽默的目的,La Guirlande de csamlimines依赖于其享有盛誉的原始文本与主题之间的持续差距,其主题根植于政治新闻和时事。编年史的参考资料使我们能够更好地理解莫里埃尔在戏剧领域之外,在报纸专栏的编纂空间里的影响。通过这种方式,La Guirlande de csamlimine质疑高中文化在报纸提供的新写作空间中的转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
«La Guirlande de Célimène»: les personnages du “Misanthrope” au miroir de la presse fin-de-siècle
La Guirlande de Célimène is a column published from June 19 to August 15, 1898 in a journal called “La Presse”. Jean de Tinan, Émile Métrot and Henri Vernot respectively play Célimène, Philinte and Alceste, the main characters of The Misanthrope. La Guirlande de Célimène belongs to the «epistolary fantasies», which are part of the experimental columns proposed by “La Presse”, during the revival of the daily newspaper, at the turn of the 1890s.With a humorous purpose, La Guirlande de Célimène relies on a constant gap between its prestigious original text and its subject matter, which is rooted both in political news and in current events. The references of the chronicle allow us to better understand Molière’s influence beyond the theatrical sphere, and in the very codified space of the newspaper column. In this way, La Guirlande de Célimène questions the transformations of a high-school culture in the new writing spaces offered by newspapers.
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来源期刊
STUDI FRANCESI
STUDI FRANCESI LITERATURE, ROMANCE-
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