半处女,全女人?马塞尔prevost的《半处女》(1894)

Hope Christiansen
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摘要

摘要:就在爱尔兰女权主义者莎拉·格兰德(Sarah Grand)创造了“新女性”(New Woman)一词,指那些通过教育和/或工作寻求自我提升并在社会中发挥更积极作用的女性的那一年,马塞尔·普莱姆沃斯特(Marcel pracimvost)出版了《半处女》(Les demivierges),这部小说将“半处女”的概念推向了公众的想象。小说的大部分内容都是关于男人和女人之间的互动,他们努力接受自己在性动力中失去首要地位的事实。在他的序言中,pracimvost引导读者谴责这种新型女性,并理解她对世纪之交的男人构成的威胁。但随着情节的展开,很明显,他关于女性的信息远没有那么直截了当。这项研究考察了pracimvost充实半维格的过程,并对他自己的序言中对这个人物的描述提出了问题,这个人物直到今天仍然活跃在流行文化和媒体中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Half-Virgins, Whole Women? Marcel Prévost's Les demi-vierges (1894)
Abstract: The very year that Irish feminist Sarah Grand coined the term "New Woman" to refer to women who sought to better themselves through education and/or work and to play a more active role in society, Marcel Prévost published Les demivierges , the novel that propelled the concept of the "half-virgin" into the public imagination. The bulk of the novel deals with the interactions between women and men who struggle to come to terms with their loss of primacy in the sexual dynamic. In his preface, Prévost predisposes the reader to condemn this new kind of woman and to understand the threat she poses to the turn-of-the-century man. But as the plot unfolds, it becomes clear that his messaging regarding women is far less straightforward. This study examines the process by which Prévost fleshes out the demi-vierge and problematizes his own preface's depiction of a figure that remains alive and well to this day in popular culture and media.
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