蒂尔索剧作中女主人公的先进性研究

Yong-wook Yoon
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摘要

本研究的目的是更具体、更现实地识别17世纪西班牙著名剧作家之一蒂尔索戏剧中女主角的进进性。为此,本研究将尝试将蒂尔索剧作的女主人公与具有相似主题或冲突结构的洛佩剧作的女主人公的进步性的非凡价值进行比较,以更具体、更现实地揭示其进步性。蒂尔索的《La gallega》Mari-Hernández和洛佩的《La moza de cántaro》是将女主人公塑造成怪物的共同戏剧,而蒂尔索的《El Vergonzo en palacio》和洛佩的《El perro del Hortelano》则是描写贵族女子和仆人之间的爱情危机的戏剧。此外,蒂尔索的《唐·吉尔》和洛佩的《马德里的acero de Madrid》都是在共同危机中表现女主角的戏剧。通过对两部戏剧的对比可以看出,蒂尔索剧的女主角通过自身能力的发挥,在解决矛盾和问题上起到了带头作用,而洛佩剧的女主角在解决矛盾和问题上并没有起到主导作用,而是依赖于男性角色或外部因素。综上所述,通过与Lope戏剧的女主角对比,可以看出Tirso戏剧的女主角的进步性更加明显,表现出相似的戏剧氛围和故事结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study on the Progressiveness of the Heroines of Tirso's Play
The purpose of this study is to more specifically and realistically identify the progressiveness of the heroine in the plays of Tirso, one of Spain's leading playwrights in the 17th century. To this end, this study will attempt to compare the extraordinary value of progressiveness of the heroine of the Tirso’s play with the heroine of the Lope’s play with a similar theme or conflict structure to reveal its progressiveness more specifically and realistically. Tirso's La gallega Mari-Hernández and Lope's La moza de cántaro are plays in common with heroine as a monster girl, while Tirso’s El Vergonzo en palacio and Lope’s El perro del Hortelano are plays that deal with the love crisis between a noble woman and her servant. Moreover, Tirso’s Don Gil de Las calzas verdes and Lope’s El acero de Madrid are plays that represent the heroine in a common crisis. The comparison of these plays shows that the heroine of the Tirso’s play took the lead in solving conflicts and problems by exercising their own abilities, while the heroine of the Lope’s play does not play a leading role in solving conflicts and problems and relies on male characters or external factors. In conclusion, it can be seen that the progressiveness of the heroine of the Tirso’s play becomes more pronounced through comparison with the heroine of the Lope’s play, which shows a similar dramatic atmosphere and story structure.
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