诗歌作为一种美学范畴

Uriah Kriegel
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引用次数: 0

摘要

我们有时称之为诗意的不仅仅是诗歌。我们以诗意的方式体验散文、电影、音乐、视觉艺术,甚至日常生活中的事件。但从更广泛的意义上说,诗歌到底是什么呢?在这种意义上对诗歌的讨论在现存的分析文学中几乎是不存在的。这篇文章的目的是开始尝试掌握这一现象——诗歌作为一种美学范畴超越了诗歌作为一种艺术形式。它提出了对艺术品和其他事物的某些情感反应的适用性的初步草图,这些反应具有明显的温柔和崇高的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Poetic as an Aesthetic Category
Abstract Poems are not the only things we sometimes call poetic. We experience as poetic also prose passages, as well as films, music, visual art, and even occurrences in daily life. But what is it exactly for something to be poetic in this wider sense? Discussion of the poetic in this sense is virtually nonexistent in the extant analytic literature. The aim of this article is to get a start on trying to come to grips with this phenomenon—the poetic as an aesthetic category that outruns poetry as an art form. It proposes an initial sketch of an account in terms of the fittingness of certain affective reactions to artworks and other things, reactions featuring notably elements of tenderness and elevation.
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