{"title":"根本不明显的缺席:两次世界大战之间巴黎的截断奏鸣曲形式","authors":"Damian Blättler","doi":"10.1093/mts/mtad020","DOIUrl":null,"url":null,"abstract":"Abstract This article identifies a set of sonata-form movements written in interwar Paris that do not recapitulate their secondary theme and yet end simply in major rather than performing cataclysm or transgression. It argues that their ability to leave sonata-form conventions unfulfilled is a consequence of how these pieces make the primary-theme reprise a site of resolved structural tension, not of the theme-and-key mechanisms of sonata form but rather of processes independent from sonata-form logic. These movements are also analyzed as exhibiting ironic troping; their juxtaposition of distinct attitudes toward sonata form negotiates a relationship between the interwar era and its compositional inheritances.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.6000,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Radically Inconspicuous Absence: Truncated Sonata Forms in Interwar Paris\",\"authors\":\"Damian Blättler\",\"doi\":\"10.1093/mts/mtad020\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article identifies a set of sonata-form movements written in interwar Paris that do not recapitulate their secondary theme and yet end simply in major rather than performing cataclysm or transgression. It argues that their ability to leave sonata-form conventions unfulfilled is a consequence of how these pieces make the primary-theme reprise a site of resolved structural tension, not of the theme-and-key mechanisms of sonata form but rather of processes independent from sonata-form logic. These movements are also analyzed as exhibiting ironic troping; their juxtaposition of distinct attitudes toward sonata form negotiates a relationship between the interwar era and its compositional inheritances.\",\"PeriodicalId\":44994,\"journal\":{\"name\":\"MUSIC THEORY SPECTRUM\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2023-10-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MUSIC THEORY SPECTRUM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/mts/mtad020\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSIC THEORY SPECTRUM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/mts/mtad020","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Radically Inconspicuous Absence: Truncated Sonata Forms in Interwar Paris
Abstract This article identifies a set of sonata-form movements written in interwar Paris that do not recapitulate their secondary theme and yet end simply in major rather than performing cataclysm or transgression. It argues that their ability to leave sonata-form conventions unfulfilled is a consequence of how these pieces make the primary-theme reprise a site of resolved structural tension, not of the theme-and-key mechanisms of sonata form but rather of processes independent from sonata-form logic. These movements are also analyzed as exhibiting ironic troping; their juxtaposition of distinct attitudes toward sonata form negotiates a relationship between the interwar era and its compositional inheritances.
期刊介绍:
A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.