伏尔加地区和乌拉尔突厥人的乐器

IF 0.1 Q4 HISTORY
Gulnara Khayrullina
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引用次数: 0

摘要

民族乐器是民族文化和历史的一部分。它们反映了这个民族的特点、气质和心态,反映了这个民族形成的条件。多样性,丰富的声音,不同寻常的旋律模式-民族乐器创造了这一切。每一种古老的音乐文化都起源于古代的仪式。伏尔加河地区和乌拉尔地区突厥民族的民间音乐也不例外。歌唱伴随着异教和神秘的圣礼、节日、家庭和日常仪式,如狩猎、收获等等,包括军事行动。突厥民族的民间乐器声音具有独特的曲式和音色,这使突厥民族的乐器区别于自古以来定居在乌拉尔和伏尔加河地区的其他民族。这是因为鞑靼人和巴什基尔人一直偏爱旋律乐器,这种乐器可以在广泛的范围内演奏分支的、丰富的旋律。虽然乐器的种类大约有五十多种,但本文分析了最具特色和最古老的乐器。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Volgos regiono ir Uralo tiurkų tautų muzikos instrumentai
National musical instruments are part of the culture and history of the people. They reflect the characteristics, temperament and mentality of the people, the conditions for their formation as an ethnos. Variety, rich sound, unusual melody pattern – national musical instruments create all this. Every ancient musical culture has its origins in ancient rites. Folk music of the Turkic peoples of the Volga region and the Urals was no exception. Singing was accompanied by pagan and mystical sacraments, holidays, household and daily rituals such as hunting, harvesting and much more, including military campaigns. The sound of folk instruments has a specific musical pattern and voice that distinguishes the musical instruments of the Turkic peoples from other ethnic groups that have settled since ancient times in the Urals and the Volga region. This is due to the fact that the Tatars and Bashkirs have always preferred melodic musical instruments that allow performing a branched, rich melody in a wide range. Although the list of musical instruments has about fifty varieties, this article analyses the most characteristic and ancient ones.
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