丑陋,地下,酷儿差异

Y. Howard
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引用次数: 0

摘要

《丑陋的差异》的引言章节提供了本书的理论概述,以及它对丑陋和地下概念的核心干预。它转向了格特鲁德·斯坦和克劳德·麦凯在20世纪早期的例子来构建丑和酷儿女性差异之间的谱系联系。这一文学史突出了先锋派、实验派、原始主义和乡土文化生产方法在反映非主导主体方面所起的作用,这些主体的差异是通过审美的非特权场所而产生的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ugliness, Underground, Queer Difference
The introductory chapter of Ugly Differences provides a theoretical overview of the book and its central interventions on the concepts of ugliness and the underground. It turns to early-twentieth-century examples by Gertrude Stein and Claude McKay to frame genealogical connections between ugliness and queer female difference. This literary history highlights the roles that avant-garde, experimental, primitivist, and vernacular approaches to cultural production play in reflecting nondominant subjects whose differences are routed through de-privileged sites of the aesthetic.
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