陶瓷材料在可穿戴艺术领域的地位和陶瓷首饰的应用

Merve Nil Küçükerbaş
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引用次数: 1

摘要

虽然始于20世纪60年代末的可穿戴艺术运动是从服装开始的,但今天配饰也被用作一种艺术叙事工具。可穿戴艺术运动;通过打破艺术仅限于雕塑或绘画的普遍信念,它允许人体通过动画来展示艺术作品。今天,这一趋势在设计师、工匠和艺术家中积极地延续着它的连续性(Onur, 2020: 231)。配饰,从过去到现在,以石头和骨头等材料开始了漫长的冒险,随着在制作中使用金银等珍贵材料,开始被视为地位的象征。在整个历史过程中生产的所有配件不仅反映了生产它们的文化的很大一部分,而且还提供了生产它们的时期的重要信息。配饰生产中所使用的材料限制的消失,为之前除了审美外观之外还被用作身份标志的配饰,像艺术品一样被用作表达手段铺平了道路。随着时间的推移,可用于制作配饰的材料种类越来越多,这使得设计师在创作、制作和表达方面都有了自由(ye ilmen, 2018: 1251)。由此可见,陶瓷材料在可穿戴艺术领域用陶瓷材料制作配件中所提供的诸多优势。由于其陶瓷材料结构,具有优越的塑性性能,在造型领域为设计师提供了自由表达的空间。此外,当它在高温下烧制时,它在美观和耐用性方面为用户提供了优势。陶瓷材料既符合传统成型方法的结构,也符合新一代技术成型方法的结构。正是由于这些特点,陶瓷作为一种艺术表现手段,在配件生产领域的地位日益加强。在本文中,使用陶瓷材料在可穿戴艺术领域生产的不同产品进行了研究,并使用三维陶瓷打印机应用了一个配件示例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE PLACE OF CERAMIC MATERIAL IN THE FIELD OF WEARABLE ART AND AN APPLICATION OF CERAMIC JEWELRY
Although the wearable art movement, which started to develop in the late 1960s, started with clothing, today accessories are also used as an artistic narrative tool. Wearable art movement; By destroying the general belief that art is limited to sculpture or painting, it allows the human body to display the work of art by animating it. Today, this trend actively continues its continuity in the line of designers, craftsmen and artists (Onur, 2020: 231). Accessories, which started their long adventure from the past to the present with materials such as stone and bone, began to be seen and used as status symbols with the use of precious materials such as gold and silver in their production. All accessories produced throughout the historical process not only reflect a large part of the culture in which they were produced, but also provide important information about the period in which they were produced. The fact that the material limitation used in the production of accessories has disappeared, has paved the way for the accessories, which were used as a status indicator in addition to their aesthetic appearance in the previous periods, to be used as a means of expression, just like a work of art. The increase in the variety of materials that can be used in the production of accessories over time has enabled the designers to be free in terms of creation, production and expression (Yeşilmen, 2018: 1251). It can be seen that there are many advantages offered by ceramic materials in the production of accessories with ceramic materials in the field of wearable art. Due to its ceramic material structure, having superior plastic properties, it offers freedom of expression to the designer in the field of shaping. In addition, when it is fired at high temperatures, it provides the user with an advantage in terms of aesthetics and durability. Ceramic material conforms to the structure of both traditional forming methods and new generation technological forming methods. In line with all these features, ceramics is strengthening its place in the field of accessory production as a means of artistic expression day by day. In this article, different productions produced using ceramic materials in the field of wearable art were examined and an accessory example was applied using a three-dimensional ceramic printer.
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