{"title":"运用中国民族乐器与技术表演声音:SA","authors":"N. Tse, A. Chia","doi":"10.25370/array.v20152519","DOIUrl":null,"url":null,"abstract":"From a first-person research method, using the perspective of Singaporean experimental Chinese music group SA, this paper discusses the questions of motivation for incorporating technology with ethnic Chinese music instruments from a socio-cultural perspective; how this incorporation of technology is performed and has affected the perception of sound performance for the musicians; what were the initial challenges and how the challenges were overcome.","PeriodicalId":223537,"journal":{"name":"array. the journal of the ICMA","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Performing Sounds Using Ethnic Chinese Instruments with Technology: SA\",\"authors\":\"N. Tse, A. Chia\",\"doi\":\"10.25370/array.v20152519\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"From a first-person research method, using the perspective of Singaporean experimental Chinese music group SA, this paper discusses the questions of motivation for incorporating technology with ethnic Chinese music instruments from a socio-cultural perspective; how this incorporation of technology is performed and has affected the perception of sound performance for the musicians; what were the initial challenges and how the challenges were overcome.\",\"PeriodicalId\":223537,\"journal\":{\"name\":\"array. the journal of the ICMA\",\"volume\":\"25 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-10-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"array. the journal of the ICMA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25370/array.v20152519\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"array. the journal of the ICMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25370/array.v20152519","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Performing Sounds Using Ethnic Chinese Instruments with Technology: SA
From a first-person research method, using the perspective of Singaporean experimental Chinese music group SA, this paper discusses the questions of motivation for incorporating technology with ethnic Chinese music instruments from a socio-cultural perspective; how this incorporation of technology is performed and has affected the perception of sound performance for the musicians; what were the initial challenges and how the challenges were overcome.