古巴新媒体文学、数据库美学与Jorge E. Lage的《档案库》中的中篇小说

Yairamaren Roman Maldonado
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摘要

摘要:本文关注Jorge E. Lage在其小说《档案》(2015)中如何表现古巴国家档案与日常记忆之间的紧张关系,因为它与数字实践有关。我分析了数字实践如何调解公民身份的几种形式,并揭示了古巴仍然处于国家边缘的主体性。我也使用Lage的工作来理论化当代加勒比文学和新媒体研究的关键概念,如中篇小说和新媒体文学。通过这种方式,我为这两个学科提出了适用于美国数字霸权之外的背景的新词汇。我认为这两个学科的交集是加勒比文化研究中产生反殖民知识的场所。我的结论是,通过与古巴线上和线下的另类档案对话,Lage认为,在21世纪,国家档案可以通过小说与新媒体结合,作为一种实验性的文学形式来审视和改变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cuban New Media Literature, Database Aesthetics, and the Novela-Paquete in Jorge E. Lage’s Archivo
Abstract:This article focuses on how Jorge E. Lage represents the tension between Cuban national archives and everyday memory as it relates to digital practices in his novel Archivo (2015). I analyze how digital practices mediate several forms of citizenship and unveil Cuban subjectivities that remain at the margins of the nation. I also use Lage’s work to theorize key concepts of contemporary Caribbean literary and new media studies such as the novela-paquete and new media literature. In this way, I propose new vocabulary for both disciplines applicable to contexts outside of the US digital hegemony. I see the intersection of the two disciplines as a site for generating anti-colonial knowledge in Caribbean cultural studies. I conclude that, by dialoguing with online and offline Cuban alternative archives, Lage suggests that national archives can be scrutinized and altered via fiction that engages with new media as an experimental literary form in the twenty-first century.
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