维斯纳·米基奇的音乐学话语(1967-2019):特征、效果和成就

New Sound Pub Date : 2020-07-19 DOI:10.5937/newso2055139l
Biljana Leković
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引用次数: 0

摘要

本文的目的是深入了解维斯纳·米基奇的整个音乐学论述,提供其系统化,或者换句话说,阐明她对科学和研究程序、方法和贡献的使用。本文试图通过对其文本的分析,厘清其音乐思想的发展脉络。此外,我将强调她的研究领域的关键特征,以及它们所建立的机制。我也将尝试界定她所分析的主题领域,从而展示她的工作的宝贵成果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Musicological discourse of Vesna Mikić (1967-2019): Characteristics, effects, and achievements
The aim of this paper is to gain an insight into the entire musicological discourse of Vesna Mikic, to offer its systematization, or, in other words, to shed light on her use of scientific and research procedures, methods and contributions. By analyzing her texts, I will try to define the development train of her musicological thought. Furthermore, I will emphasize the key characteristics regarding her field of research, and the mechanisms they are founded upon. I will also try to define the thematic fields she analyzed, thus demonstrating the valuable achievements of her work.
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