4. 诗歌终于来了

D. Wallace
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引用次数: 0

摘要

《最后的诗歌:特洛伊罗斯与克里塞德》描述了乔叟的《特洛伊罗斯与克里塞德》的结构和内容。自从伦敦自称为“特洛伊人”或“新特洛伊人”,想象自己是由特洛伊裔拉丁人布鲁图斯建立的,乔叟立刻从薄伽丘的ottava rima故事《Filostrato》中看到了巨大的潜力。受薄伽丘启发的《特洛伊罗斯与克里塞德》讲述了在一座注定要失败的城市里发生的一段注定要失败的爱情。在其长度的五分之三,它的轨迹似乎是喜剧,或向上移动,但它被定义为一个悲剧。《特洛伊罗斯》和《克里塞德》的含蓄暗示表明,乔叟写的是一首值得反复思考的诗,而不是只听一次。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
4. Poetry at last
‘Poetry at last: Troilus and Criseyde’ describes the structure and content of Chaucer’s Troilus and Criseyde. Since London styled itself ‘Troynovant’ or ‘New Troy’, imagining itself founded by the Trojan-Latin Brutus, Chaucer immediately saw great potential in Boccaccio’s ottava rima tale, Il Filostrato. The Boccaccio-inspired Troilus and Criseyde tells of a doomed love affair in a doomed city. For three-fifths of its length its trajectory is seemingly comic, or upward-moving, but it is defined as a tragedy. The dense allusiveness of Troilus and Criseyde suggests that Chaucer is writing a poem to be pondered over, many times, rather than listened to once.
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