人人交互进行。对生物医学成像的表演性理解

Nicole Miglio, Giulio Galimberti
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引用次数: 0

摘要

我们的论文是在生物医学成像技术对人类生活经验的认识论和美学潜力的更广泛的探索。本课程的指导思想是,成像技术应该被理解为一套材料、修辞和表演过程,并作为挑战以眼为中心的预设的一种方式。通过借鉴新的唯物主义论点,即现象不是预先存在于内部行动中,并且代理应该被理解为分布在人类,动物,客观和“物理”层面上,我们提供了对生物医学成像操作的行为理解,以补充反思范式。生物医学成像可以通过我们的内活动意义构建来理解;虽然许多文献表明,医学成像建立了一种自我量化、原子化和可控制的观点,但我们认为,人类感官和数字传感器的共同配置是新的意义构建能力的来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Intra-Active Sense-Making. Towards a Performative Understanding of Biomedical Imaging
Our paper is situated within the broader exploration of the epistemic and aesthetic potential of biomedical imaging technologies on the human lived experience. Intra-Active Sense-Making is guided by the grounding thesis that imaging technology ought to be understood as a set of material, rhetorical and performative processes, and as a way to challenge the ocularcentric presuppositions. By drawing on the new materialistic theses that phenomena are not pre-existent to intra-action, and that agency should be understood as distributed on human, animal, objectual, and ‘physical’ levels, we offer a performative understanding of biomedical imaging operations complementary to the reflective paradigm. Biomedical imaging may be understood through our idea of intra-active sense-making; while much literature states that medical imaging establishes a view of the self as quantified, atomized, and governable, we argue that the co-configuration of human senses and digital sensors is a source of new sense-making capabilities.
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