珀尔塞丰的面具:印花沙发上的死亡形象和莱吉亚·博junga·努内斯的拥抱

Publicatio Uepg: Ciencias Humanas, Ciencias Sociais Aplicadas, Linguistica, Letras E Artes Pub Date : 2008-06-21 DOI:10.5212/PUBLICATIOHUM.V.16I1.105113

Marta Yumi Ando

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引用次数: 0

摘要

本研究旨在通过分析Lygia Bojunga Nunes创作的巴西年轻人作品《O Sofa Estampado》(The Patterned Sofa)和《O Abraco》(The Embrace)中死亡的表现，来验证美学对隐含读者的影响。为此，我们将以汉斯·罗伯特·约斯的审美反应理论和沃尔夫冈·伊瑟尔的效果理论作为批评视角。这项研究证实，死亡在两部作品中不仅是一个主题，也是一个角色，它激发了读者一种快乐和陌生的混合。

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Mascaras de Persefone : a imagem da morte em o sofa estampado e o abraco de Lygia Bojunga Nunes

The research intends to verify the aesthetics effects on the implied reader, by analyzing the representation of death in Brazilian works for young people O Sofa Estampado (The Patterned Sofa) and O Abraco (The Embrace), both written by Lygia Bojunga Nunes. For this purpose, we will take as critic perspective the Aesthetic Response Theory of Hans Robert Jauss and the Effect Theory of Wolfgang Iser. This study verified that death not just configures a theme but also a character in both works, and it incites on the reader a mix of pleasure and strangeness.

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Publicatio Uepg: Ciencias Humanas, Ciencias Sociais Aplicadas, Linguistica, Letras E Artes

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