为可持续发展重新发明和塑造交响乐团

Gerald Ng Kea Chye
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引用次数: 0

摘要

由于这个行业的创造性,表演艺术行业一直是一个不断发展的行业。尽管自19世纪后期以来,交响乐团在物理上没有发生太大的变化,但当前世界范围内的事件,如covid -19大流行的爆发,经济的不确定性以及技术的进步,已经使许多交响乐团的运营按下了暂停按钮,许多人不确定乐团是否会恢复运营。世界各地的交响乐团都被迫提出各种各样的想法来重新发明和重塑自己。本文旨在研究一个交响乐团的可能性,一个严重依赖于观众填补他们的音乐会的机构如何重新发明自己,以维持他们的存在。正在进行的努力,例如通过数字平台数字化“现场”音乐会,以及其他出现的问题,如技术设备的选择,成本和收入,以及管弦乐队音乐家和观众对这种重新发明和重新塑造交响乐团的看法,将被讨论。本文的研究结果可用于进一步发展基于每个乐团的需求和需求的再发明和重塑交响乐团的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Re-inventing and Re-shaping the Symphony Orchestra for Sustainability
The performing arts industry has always been an ever-evolving industry due to the creative nature of this industry. Although the symphony orchestra has not seen much physical dramatic changes since perhaps the late 1800’s, current events worldwide such as the outbreak of the Covid-19 pandemic, the economic uncertainty as well as technological advancements has seen the operations of many symphony orchestras hitting the pause button, many unsure if the orchestra might resume their operations. Symphony orchestras worldwide are forced to come out with various ideas to re-invent and re-shape itself. This paper aims to examine the possibilities of how a symphony orchestra, an institution that is heavily dependent on audiences filling up their concerts is re-inventing itself in order to sustain their very existence. Ongoing efforts such as digitalising ‘live’ concerts through digital platforms and other arising issues such as choice of technological equipment, cost and revenue as well as the perception of orchestral musicians and audiences of such re-invention and re-shaping of the symphony orchestra will be discussed. The findings from this paper may be used to further develop the ideas of re-invention and re-shaping symphony orchestras based on the demands and needs of each individual orchestra.
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