{"title":"从另一个时代崛起——现代剥削电影的叙事与风格","authors":"C. Waddell","doi":"10.3366/edinburgh/9781474409254.003.0003","DOIUrl":null,"url":null,"abstract":"This chapter begins to tease out the argument that forms the backbone of ‘The Style of Sleaze’ by arguing that three distinct exploitation demarcations are linked by their stylistic attributes. In this chapter, the focus is on narrative and also the link that the post-classical exploitation cinema produced in America has with the classical period, famously defined and discussed by academic and author Eric Schaefer.","PeriodicalId":325933,"journal":{"name":"The Style of Sleaze","volume":" 8","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Emerging from Another Era – Narrative and Style in Modern Exploitation Cinema\",\"authors\":\"C. Waddell\",\"doi\":\"10.3366/edinburgh/9781474409254.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter begins to tease out the argument that forms the backbone of ‘The Style of Sleaze’ by arguing that three distinct exploitation demarcations are linked by their stylistic attributes. In this chapter, the focus is on narrative and also the link that the post-classical exploitation cinema produced in America has with the classical period, famously defined and discussed by academic and author Eric Schaefer.\",\"PeriodicalId\":325933,\"journal\":{\"name\":\"The Style of Sleaze\",\"volume\":\" 8\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Style of Sleaze\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474409254.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Style of Sleaze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474409254.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Emerging from Another Era – Narrative and Style in Modern Exploitation Cinema
This chapter begins to tease out the argument that forms the backbone of ‘The Style of Sleaze’ by arguing that three distinct exploitation demarcations are linked by their stylistic attributes. In this chapter, the focus is on narrative and also the link that the post-classical exploitation cinema produced in America has with the classical period, famously defined and discussed by academic and author Eric Schaefer.