《西藏镜子》是西藏文学创作的新动力

Natalia Moskaleva, Pavel Grokhovskiy
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引用次数: 0

摘要

《西藏镜报》是最早的藏文期刊之一。它由杰出的西藏宗教和公众领袖多杰·达钦(Dorje Tharchin)在印度噶伦堡出版了38年(1925-1963)。多杰达钦受英国自由主义报刊的启发,愿意与同胞分享国际和当地的最新消息,他试图改变藏人的传统世界观,同时保护印藏边境地区的西藏文化,他创办了有史以来第一本由藏族编辑发行的藏文期刊。在研究《西藏镜报》的多种可能途径中,本文选择了从《西藏镜报》对西藏文学活动的投入角度来探讨《西藏镜报》。《藏语》不仅是西藏大众传媒的先驱之一,而且是现代藏语写作的先驱,它决定了藏语文学新功能风格,特别是新闻(或宣传)风格的未来发展。本文通过对该期刊(第一卷1-6期,1925-1926年)前6期实际内容的研究,列举了新功能体裁的实例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE TIBET MIRROR AS A NEW IMPETUS… IN TIBETAN LITERARY WRITING
Yul phyogs so so’i gsar ‘gyur me long (or The Tibet Mirror) is one of the first periodicals in the Tibetan language. It was published in Kalimpong, India, for 38 years (1925–1963) by a remarkable Tibetan religious and public leader Dorje Tharchin. Inspired by the liberal British press and willing to share with his compatriots both international and latest local news, Dorje Tharchin attempted to change the conventional Tibetan world outlook and at the same time to preserve Tibetan culture in the Indian-Tibetan border area by launching the first ever periodical in the Tibetan language issued by a Tibetan editor. Of a variety of possible approaches towards The Tibet Mirror, this paper chooses the one which aims to explore the periodical from a perspective of its input on the Tibetan literary activity. Yul phyogs so so’i gsar ‘gyur me long not only presents one of the first examples of Tibetan mass media, but also contains first pieces of the modern Tibetan writing which determined the future development of a new Tibetan literary functional style, a journalistic (or publicistic) style in particular. The examples of the new functional genres are presented in the paper based on the study of the actual content of the first six issues of the periodical (Vol. I No. 1–6, dated 1925–1926).
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