在数字水印的应用中,什么是可接受的质量:安全性、鲁棒性和质量之间的权衡

S. Moskowitz
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引用次数: 8

摘要

质量是主观的,质量可以通过诸如CD和DVD等消费品所代表的工业标准过程客观化。现在缺乏的是一种方法,不仅可以将有价值的无形资产的创造与认可的扩展联系起来,还可以为可能被数字化或通过数字领域的副本建立责任。数字水印存在于盗版和隐私的交汇点上。水印作为信息贸易的收据。不可能有一种单一的数字水印编码方案能够最好地处理安全性、鲁棒性和质量之间的权衡,而是有几种体系结构可以处理各种问题。商业上最有用的水印方案是基于密钥的,结合了加密特征和感知模型。最重要的是,在音频水印中,目前已经有成熟的技术被证明是统计上听不清的。在本文中,描述了几个解码系统的应用,并强调了为什么水印是任何可行的商业内容交换市场的必要特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What is acceptable quality in the application of digital watermarking: trade-offs of security, robustness and quality
Quality is subjective, Quality can be objectified by the industry standards process represented by such consumer items as compact disc ("CD") and digital versatile disc ("DVD"). What is lacking is a means for not only associating the creation of valued intangible assets and extensions of recognition but establishing responsibility for copies that may be digitized or pass through a digital domain. Digital watermarking exists at a convergence point between piracy and privacy. Watermarks serve as a receipt for information commerce. There is not likely to be a single digital watermark encoding scheme that best handles the trade-offs between security, robustness, and quality but several architectures to handle various concerns. The most commercially useful watermarking schemes are keybased, combining cryptographic features with models of perception. Most importantly, in audio watermarking there currently exists mature technologies which have been proven to be statistically inaudible. In this paper, a description of several of the decoding system applications, and why watermarks are a necessary feature of any workable market for the commercial exchange of content is highlighted.
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