纪录片《大都市》作为记忆的载体

G. Souza, Fábio Dummer Camargo
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引用次数: 0

摘要

纪录片《大都市》(Leon Hirszman, 1973)讨论了巴西大都市加速现代化的时期,特别是在20世纪70年代初的圣保罗和里约热内卢。这部电影揭示了这个国家的大都市发展应该如何发生,与美国模式相联系,具有说教和说明性的特点。基于对纪录片作为记忆载体的讨论(Waterson, 2007),我们试图通过其中突出的三个方面:美国人的生活方式、民族主义和消费,揭示大都市作为文献和史学来源的潜力。为此,我们讨论了一部由马克思主义信仰的电影制作人执导的纪录片是如何描绘军政府强加的快速现代化和非理性城市化的,这揭示了围绕这部纪录片扩大讨论的潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
O documentário Megalópolis como veículo de memória
The documentary Megalopolis (Leon Hirszman, 1973) discusses the period in which an accelerated modernization began in Brazilian metropolises, specially in Sao Paulo and Rio de Janeiro in the early 1970s. The film reveals how metropolitan growth should happen in the country linked to the US model with didactic and expository characteristics. Based on the discussion of documentary as a vehicle of memory (Waterson, 2007), we seek to reveal the potential of Megalopolis as a document and historiographical source through three aspects that stand out in it: The American way of life, nationalism and consumption. To this end, we discuss how the fast modernization and irrational urbanization imposed by the military regime are portrayed in a documentary directed by a filmmaker of Marxist beliefs, which reveal the potential for broadening the discussions surrounding this documentary.
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