{"title":"一把双刃剑:众包对未来网络安全的影响","authors":"Ben Y. Zhao, T. Znati","doi":"10.1109/PCCC.2012.6407662","DOIUrl":null,"url":null,"abstract":"Summary form only given. Documentary films are often described as “factual”, “truthful” or “real.” In actuality, all documentaries are a construction. How does the nonfiction filmmaker express a point of view? How does a documentary frame the film's topic? Using her own work as a point of departure, this talk will explore the many ways in which a documentary film overtly or tacitly conveys a subjective world-view.","PeriodicalId":442628,"journal":{"name":"IEEE International Performance, Computing, and Communications Conference","volume":"130 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2012-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"A double-edged sword: Implications of crowdsourcing for the future of web security\",\"authors\":\"Ben Y. Zhao, T. Znati\",\"doi\":\"10.1109/PCCC.2012.6407662\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Summary form only given. Documentary films are often described as “factual”, “truthful” or “real.” In actuality, all documentaries are a construction. How does the nonfiction filmmaker express a point of view? How does a documentary frame the film's topic? Using her own work as a point of departure, this talk will explore the many ways in which a documentary film overtly or tacitly conveys a subjective world-view.\",\"PeriodicalId\":442628,\"journal\":{\"name\":\"IEEE International Performance, Computing, and Communications Conference\",\"volume\":\"130 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"IEEE International Performance, Computing, and Communications Conference\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/PCCC.2012.6407662\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"IEEE International Performance, Computing, and Communications Conference","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/PCCC.2012.6407662","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A double-edged sword: Implications of crowdsourcing for the future of web security
Summary form only given. Documentary films are often described as “factual”, “truthful” or “real.” In actuality, all documentaries are a construction. How does the nonfiction filmmaker express a point of view? How does a documentary frame the film's topic? Using her own work as a point of departure, this talk will explore the many ways in which a documentary film overtly or tacitly conveys a subjective world-view.
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